![]() ![]() I think you'll find that while it's identifiable as a Mazedude mix (for all the right reasons) it's a bit different from his other stuff because of these two motifs. It blends Chris' love of quirkier, mangled fx with a lot of choral elements, Middle Eastern intonations, and ethnic percussion. ![]() At just over three minutes, this is a little short, but. As well they should be Chris got the skills, and proves it yet again. Mazedude's doing wonders for American game composers on OCR, and this recent trend of LucasArts classics in particular is doubtless making many fans of the games happy. Getman also provided our first (and only, to date) coverage of Day of the Tentacle, also by Peter McConnell but that time with Clint Bajakian and Michael Land. I actually never played it, which is a damn shame, because the combination of LucasArts humor/presentation with a somewhat Tim Burtonesque, noir setting seems like it would be right up my alley. ![]() Yeah, that LucasArts game with all the dead skeleton people in it. While you may have already heard VotL in its entirety, chances are you haven't heard this Mazedude mix, our very first arrangement from the legendary Grim Fandango. ![]()
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